Posts Tagged: Noli Me Tangere
NAPOLI | L’ASILO | NOLI ME TANGERE | PROVE APERTE | 30–31 GENNAIO 2016
sabato 30 gennaio 2016 h 21:00
domenica 31gennaio 2016 h 19:00
L’Asilo – Ex Asilo Filangieri
Napoli, vico Giuseppe Maffei 4
NOLI ME TANGERE – prove aperte
idea e coreografia Gabriella Riccio
produzione caosmos |cia gabriellariccio
NAPOLI | L’ASILO | NOLI ME TANGERE | PROVE APERTE | 30–31 GENNAIO 2016
sabato 30 gennaio 2016 h 21:00
domenica 31gennaio 2016 h 19:00
L’Asilo – Ex Asilo Filangieri
Napoli, vico Giuseppe Maffei 4
NOLI ME TANGERE – prove aperte
idea e coreografia Gabriella Riccio
produzione caosmos |cia gabriellariccio
NAPOLIMONITOR | ANTONIO GRIECO
NMT is a re-creation of the stage event as Carmelo Bene intended it, an operation of dramaturgical rewriting that proceeds by subtraction, by amputation of the usual representative canons of choreographic art. Ooscillating between instinctive vitality of the bodies and Dionysian expression of contemporary electronic music on the dissolution of the fragile boundary between art and life.
NAPOLIMONITOR | ANTONIO GRIECO
NMT is a re-creation of the stage event as Carmelo Bene intended it, an operation of dramaturgical rewriting that proceeds by subtraction, by amputation of the usual representative canons of choreographic art. Ooscillating between instinctive vitality of the bodies and Dionysian expression of contemporary electronic music on the dissolution of the fragile boundary between art and life.
CAMPANIADANZA | SIMONA PERRELLA
The invitation corresponds to not holding back, not touching and blocking the fluidity of being, in a religious, ethical and human thought. Do not hold back becomes almost an invitation to the desire of the opposite, in a continuous relationship and coincidence of opposites.
CAMPANIADANZA | SIMONA PERRELLA
The invitation corresponds to not holding back, not touching and blocking the fluidity of being, in a religious, ethical and human thought. Do not hold back becomes almost an invitation to the desire of the opposite, in a continuous relationship and coincidence of opposites.
FOTO DI SCENA | ALESSANDRA FINELLI | NOLI ME TANGERE | ANTEPRIMA | ASILO
NOLI ME TANGERE Stage photos by Alessandra Finelli at L’Asilo during the opening preview of choreographic residency in the framework of the Focus on Dance Sovrapposizioni // Overlap_la danza trova asilo
FOTO DI SCENA | ALESSANDRA FINELLI | NOLI ME TANGERE | ANTEPRIMA | ASILO
NOLI ME TANGERE Stage photos by Alessandra Finelli at L’Asilo during the opening preview of choreographic residency in the framework of the Focus on Dance Sovrapposizioni // Overlap_la danza trova asilo
NOLI ME TANGERE
evocative and powerful, a sophisticated minimal performance for incarnate sound and sounding bodies. A physical score generated through the use of a sensitive sound environment applied to the peroformance. Messages from philosophy, poetry, literature intersect around body, intimacy, touch, in a tension between eros and thanathos, human and divine.
NOLI ME TANGERE
evocative and powerful, a sophisticated minimal performance for incarnate sound and sounding bodies. A physical score generated through the use of a sensitive sound environment applied to the peroformance. Messages from philosophy, poetry, literature intersect around body, intimacy, touch, in a tension between eros and thanathos, human and divine.
NAPOLI | L’ASILO | NOLI ME TANGERE | ANTEPRIMA | 6 NOVEMBRE 2015
venerdì 6 novembre 2015 h 21:30
L’Asilo – Ex Asilo Filangieri
Napoli, vico Giuseppe Maffei 4
NOLI ME TANGERE anteprima
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio
NAPOLI | L’ASILO | NOLI ME TANGERE | ANTEPRIMA | 6 NOVEMBRE 2015
venerdì 6 novembre 2015 h 21:30
L’Asilo – Ex Asilo Filangieri
Napoli, vico Giuseppe Maffei 4
NOLI ME TANGERE anteprima
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio
MASTERCLASS | SISTEMI DI LIVE ELECTRONICS PER LA DANZA | L’ASILO
Master class per allievi del 3° anno del Conservatorio San Pietro a Majella su Sistemi di live elettronics per la danza a cura di Gabriella Riccio e Massimo Scamarcio nell’ambito della residenza coreografica Noli me tangere
MASTERCLASS | SISTEMI DI LIVE ELECTRONICS PER LA DANZA | L’ASILO
Master class per allievi del 3° anno del Conservatorio San Pietro a Majella su Sistemi di live elettronics per la danza a cura di Gabriella Riccio e Massimo Scamarcio nell’ambito della residenza coreografica Noli me tangere
NAPOLI | L’ASILO | NOLI ME TANGERE | RESIDENZA COREOGRAFICA
NOLI ME TANGERE choreographic residency. The work in the form of a study NOLI ME TANGERE – studio in divenire (20′) was selected by Transitidanza 2 Mibac-Eti in 2008 and presented at Nuovo Teatro Nuovo Napoli. It premiered as full creation at TIN
NAPOLI | L’ASILO | NOLI ME TANGERE | RESIDENZA COREOGRAFICA
NOLI ME TANGERE choreographic residency. The work in the form of a study NOLI ME TANGERE – studio in divenire (20′) was selected by Transitidanza 2 Mibac-Eti in 2008 and presented at Nuovo Teatro Nuovo Napoli. It premiered as full creation at TIN
FOTO | SABRINA MEROLLA | NOLI ME TANGERE | RESIDENZA | ASILO
Those images of Noli me tangere were seized by Sabrina Merolla during our choreographic residency at l’Asilo Ex Asilo Filangieri of Naples in the monumental 16th century Refettorio Hall
FOTO | SABRINA MEROLLA | NOLI ME TANGERE | RESIDENZA | ASILO
Those images of Noli me tangere were seized by Sabrina Merolla during our choreographic residency at l’Asilo Ex Asilo Filangieri of Naples in the monumental 16th century Refettorio Hall
SOVRAPPOSIZIONI // OVERLAP_ LA DANZA TROVA ASILO | L’ASILO
Sovrapposizioni / Overlap pone l’accento sulla creazione, sulla ricerca, sulla formazione e sulla riflessione critica al fine di creare un ambiente che permetta incontro, dialogo, confronto e scambio di competenze tra artisti, tra artisti e pubblico, tra artisti e critica.
SOVRAPPOSIZIONI // OVERLAP_ LA DANZA TROVA ASILO | L’ASILO
Sovrapposizioni / Overlap pone l’accento sulla creazione, sulla ricerca, sulla formazione e sulla riflessione critica al fine di creare un ambiente che permetta incontro, dialogo, confronto e scambio di competenze tra artisti, tra artisti e pubblico, tra artisti e critica.
CORRIERE DEL MEZZEZZOGIORNO | STEFANO DE STEFANO
In times of stage writing and new dramaturgy of the body, the proposed experiment represents an intriguing signal launched at current theatrical research roads … more linguistic codes merge: from textual and acted reading to contemporary dance, from electronic music to literature .
CORRIERE DEL MEZZEZZOGIORNO | STEFANO DE STEFANO
In times of stage writing and new dramaturgy of the body, the proposed experiment represents an intriguing signal launched at current theatrical research roads … more linguistic codes merge: from textual and acted reading to contemporary dance, from electronic music to literature .
TUTTODANZA | ELISABETTA TESTA
Brave, vulnerable, risk-lover, Gabriella Riccio, Neapolitan, is a river in full … Sometimes the obstacles develop a creative force, the limitation can become a strength … made with a special software, with a series of sensors that allow you to receive the vibrations of moving bodies and translate them into a sound environment, the musical score is generated by the movement of the dancers.
TUTTODANZA | ELISABETTA TESTA
Brave, vulnerable, risk-lover, Gabriella Riccio, Neapolitan, is a river in full … Sometimes the obstacles develop a creative force, the limitation can become a strength … made with a special software, with a series of sensors that allow you to receive the vibrations of moving bodies and translate them into a sound environment, the musical score is generated by the movement of the dancers.
SPAZI PER LA DANZA CONTEMPORANEA | ADA D’ADAMO – ADRIANA POLLICE
Among the new realities of the Neapolitan scene Gabriella Riccio, choreographer, dancer and director with a classical training behind her before appearing on the European scene, studying with masters such as Kirstie Simson, Frey Faust, Julyen Hamiton, Akira Kasai … to move to Berlin in 2004
SPAZI PER LA DANZA CONTEMPORANEA | ADA D’ADAMO – ADRIANA POLLICE
Among the new realities of the Neapolitan scene Gabriella Riccio, choreographer, dancer and director with a classical training behind her before appearing on the European scene, studying with masters such as Kirstie Simson, Frey Faust, Julyen Hamiton, Akira Kasai … to move to Berlin in 2004
EXIBART | NOEMI PITTALUGA
The Noli Me Tangere theater-dance show mixes and superimposes different devices: lighting and speech … here the quotations become explicit references to the works of Francis Bacon and Bill Viola, … so as to stratify the references and expand the reading plans of the object.
EXIBART | NOEMI PITTALUGA
The Noli Me Tangere theater-dance show mixes and superimposes different devices: lighting and speech … here the quotations become explicit references to the works of Francis Bacon and Bill Viola, … so as to stratify the references and expand the reading plans of the object.
DEUS EX MACHINA LAB | NOEMI PITTALUGA
The scenic space in Noli Me Tangere is a liminal place, a bubble in its own right and timeless. The performers in fact, if before were locked up in the words of books, now slowly come to life discovering the surrounding environment … the show citing the installation Body of light by Bill Viola…
DEUS EX MACHINA LAB | NOEMI PITTALUGA
The scenic space in Noli Me Tangere is a liminal place, a bubble in its own right and timeless. The performers in fact, if before were locked up in the words of books, now slowly come to life discovering the surrounding environment … the show citing the installation Body of light by Bill Viola…
CAPITOLO PRIMO | ALESSIA COZZOLINO
Noli Me Tangere – feeling the insensitive and being taken by it: an intriguing and brand new performance for innovative languages. Let yourself be touched and lose yourself in an ending of extraordinary tension
CAPITOLO PRIMO | ALESSIA COZZOLINO
Noli Me Tangere – feeling the insensitive and being taken by it: an intriguing and brand new performance for innovative languages. Let yourself be touched and lose yourself in an ending of extraordinary tension
EXIBART | GIUSEPPE SEDIA
A dynamic and confessional reading… balanced between sacred and profane and the elusive tension between two bodies that does not want to be resolved into a grip.
EXIBART | GIUSEPPE SEDIA
A dynamic and confessional reading… balanced between sacred and profane and the elusive tension between two bodies that does not want to be resolved into a grip.
NOLI ME TANGERE – STUDIO IN DIVENIRE
we start from a gap / separating time / unbridgeable space between human beings / time-space discrepancy / distance between the phases of being / lapse / void / interruption / tending to / suggesting a / continuum / noli me tangere / do not touch me / do not hold me back
NOLI ME TANGERE – STUDIO IN DIVENIRE
we start from a gap / separating time / unbridgeable space between human beings / time-space discrepancy / distance between the phases of being / lapse / void / interruption / tending to / suggesting a / continuum / noli me tangere / do not touch me / do not hold me back
ROMA | KOLLATINO UNDERGROUND | NOLI ME TANGERE | MAGGIO 2008
giovedì 28 maggio 2008 h 21.00
Kollatino Underground
Roma, via Georges Sorel 10
Festival Deus Ex Machina 0.1
direzione artistica Mauro Petruzziello
NOLI ME TANGERE
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio
ROMA | KOLLATINO UNDERGROUND | NOLI ME TANGERE | MAGGIO 2008
giovedì 28 maggio 2008 h 21.00
Kollatino Underground
Roma, via Georges Sorel 10
Festival Deus Ex Machina 0.1
direzione artistica Mauro Petruzziello
NOLI ME TANGERE
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio
