WRITING ON WATERS | HAPPENING PERFORMANCE

Writing on water is acting without leaving traces. Writing on water is understanding the incomprehensible. Impromptu Meetings of Languages, Cultures, Men. Stones thrown into the water: genesis of concentric circles, alterning of silence and sound, absence and persence.

WRITING ON WATERS | HAPPENING PERFORMANCE

Writing on water is acting without leaving traces. Writing on water is understanding the incomprehensible. Impromptu Meetings of Languages, Cultures, Men. Stones thrown into the water: genesis of concentric circles, alterning of silence and sound, absence and persence.

VIDEO 45′ | NOLI ME TANGERE

Full length video – Running time 45′
Recorded at Dock11 Berlin
August 2009
Concept and Choreogrpahy Gabriella Riccio
sound environment Gabriella Riccio, Paolo Rudelli

VIDEO 45′ | NOLI ME TANGERE

Full length video – Running time 45′
Recorded at Dock11 Berlin
August 2009
Concept and Choreogrpahy Gabriella Riccio
sound environment Gabriella Riccio, Paolo Rudelli

BERLIN | DOCK11 | DEUTSCHLAND PREMIERE | NOLI ME TANGERE | JULY AUG 2009

July 30. > August 2. 2009 h 20.00
Dock11
Berlin, Kastanienallee 79
NOLI ME TANGERE Deutschland Premiere
von un mit Gabriella Riccio
Produktion casomos | cie gabriellariccio
Unterstützung Regione Campania

BERLIN | DOCK11 | DEUTSCHLAND PREMIERE | NOLI ME TANGERE | JULY AUG 2009

July 30. > August 2. 2009 h 20.00
Dock11
Berlin, Kastanienallee 79
NOLI ME TANGERE Deutschland Premiere
von un mit Gabriella Riccio
Produktion casomos | cie gabriellariccio
Unterstützung Regione Campania

EXIBART | NOEMI PITTALUGA

The Noli Me Tangere theater-dance show mixes and superimposes different devices: lighting and speech … here the quotations become explicit references to the works of Francis Bacon and Bill Viola, … so as to stratify the references and expand the reading plans of the object.

EXIBART | NOEMI PITTALUGA

The Noli Me Tangere theater-dance show mixes and superimposes different devices: lighting and speech … here the quotations become explicit references to the works of Francis Bacon and Bill Viola, … so as to stratify the references and expand the reading plans of the object.

NAPOLI | L’ISOLA SARA’ GUARDATA NELLA SUA BELLEZZA | READING A DUE CORPI PER UN PUBBLICO PARTECIPE

‘The island will be watched in its beauty’ poetic two-body performative reading for participatory audience under the ethical banner of spoken, openly listened to and acted word for the Poetry Festival ‘le isole si accendono’
.

NAPOLI | L’ISOLA SARA’ GUARDATA NELLA SUA BELLEZZA | READING A DUE CORPI PER UN PUBBLICO PARTECIPE

‘The island will be watched in its beauty’ poetic two-body performative reading for participatory audience under the ethical banner of spoken, openly listened to and acted word for the Poetry Festival ‘le isole si accendono’
.

DEUS EX MACHINA LAB | NOEMI PITTALUGA

The scenic space in Noli Me Tangere is a liminal place, a bubble in its own right and timeless. The performers in fact, if before were locked up in the words of books, now slowly come to life discovering the surrounding environment … the show citing the installation Body of light by Bill Viola…

DEUS EX MACHINA LAB | NOEMI PITTALUGA

The scenic space in Noli Me Tangere is a liminal place, a bubble in its own right and timeless. The performers in fact, if before were locked up in the words of books, now slowly come to life discovering the surrounding environment … the show citing the installation Body of light by Bill Viola…

IL ROMA | DOMENICO SODANO

It is said that art is the allowing of all thoughts, convictions and forms of existence. A possible idea that we had the opportunity to perceive by crossing the doors of the “Caosmos” … Contemporanea09 aims at a confident dialogue with an audience able to enjoy and fully enjoy the contemporary cultural product.

IL ROMA | DOMENICO SODANO

It is said that art is the allowing of all thoughts, convictions and forms of existence. A possible idea that we had the opportunity to perceive by crossing the doors of the “Caosmos” … Contemporanea09 aims at a confident dialogue with an audience able to enjoy and fully enjoy the contemporary cultural product.

MIBACT | CULTURA ITALIA

Conceived as a series of seminars-meetings to approach the language of contemporary choreography, new dance and performance, conversations about the new author-choreography aim at a wide audience.

MIBACT | CULTURA ITALIA

Conceived as a series of seminars-meetings to approach the language of contemporary choreography, new dance and performance, conversations about the new author-choreography aim at a wide audience.

CAPITOLO PRIMO | ALESSIA COZZOLINO

Noli Me Tangere – feeling the insensitive and being taken by it: an intriguing and brand new performance for innovative languages. Let yourself be touched and lose yourself in an ending of extraordinary tension

CAPITOLO PRIMO | ALESSIA COZZOLINO

Noli Me Tangere – feeling the insensitive and being taken by it: an intriguing and brand new performance for innovative languages. Let yourself be touched and lose yourself in an ending of extraordinary tension

CONTEMPORANEA09 |SEMINARI DI AVVICINAMENTO ALLA COREOGRAFIA | CAOSMOS

ph Still from Improvisation Technologies by William Forsythe 11 > 20 dicembre 2009 Caosmos Gallery INFO Caosmos Gallery via Giuseppe Bonito 16 80129 Napoli Tel: +39 339 7777242 caosmos.it CONTEMPORANEA09 :: rassegna conversazioni e incontri di avvicinamento alla performance contemporanea :: a

CONTEMPORANEA09 |SEMINARI DI AVVICINAMENTO ALLA COREOGRAFIA | CAOSMOS

ph Still from Improvisation Technologies by William Forsythe 11 > 20 dicembre 2009 Caosmos Gallery INFO Caosmos Gallery via Giuseppe Bonito 16 80129 Napoli Tel: +39 339 7777242 caosmos.it CONTEMPORANEA09 :: rassegna conversazioni e incontri di avvicinamento alla performance contemporanea :: a

EXIBART | GIUSEPPE SEDIA

A dynamic and confessional reading… balanced between sacred and profane and the elusive tension between two bodies that does not want to be resolved into a grip.

EXIBART | GIUSEPPE SEDIA

A dynamic and confessional reading… balanced between sacred and profane and the elusive tension between two bodies that does not want to be resolved into a grip.

NOLI ME TANGERE | MARIO ESPOSITO

Don’t touch me. And, on the contrary, touch me. Go through me. Noli me tangere is something affirming its contrary but is not a contradiction. It is able to create a sane and deep coincidentia oppositorum thanks to the poetical artifice of the dance, the alembic movement of bodies.

NOLI ME TANGERE | MARIO ESPOSITO

Don’t touch me. And, on the contrary, touch me. Go through me. Noli me tangere is something affirming its contrary but is not a contradiction. It is able to create a sane and deep coincidentia oppositorum thanks to the poetical artifice of the dance, the alembic movement of bodies.

NOLI ME TANGERE – STUDIO IN DIVENIRE

we start from a gap / separating time / unbridgeable space between human beings / time-space discrepancy / distance between the phases of being / lapse / void / interruption / tending to / suggesting a / continuum / noli me tangere / do not touch me / do not hold me back

NOLI ME TANGERE – STUDIO IN DIVENIRE

we start from a gap / separating time / unbridgeable space between human beings / time-space discrepancy / distance between the phases of being / lapse / void / interruption / tending to / suggesting a / continuum / noli me tangere / do not touch me / do not hold me back

SCUOLA APERTA ALLA DANZA | ICS SAVIO ALFIERI SECONDIGLIANO | CAOSMOS

Progetto SCUOLA APERTA 2009/2010 nell’ambito del FSE POR Campania 2007-2013. Caosmos è partner dell’ l’I.C.S. Savio-Alfieri di Secondigliano (NA) con l’attivazione di un laboratorio sul corpo, gesto, danza e composizione coreografica. Partner Istituzionali Regione Campania – Assessorato all’Istruzione, Formazione e

SCUOLA APERTA ALLA DANZA | ICS SAVIO ALFIERI SECONDIGLIANO | CAOSMOS

Progetto SCUOLA APERTA 2009/2010 nell’ambito del FSE POR Campania 2007-2013. Caosmos è partner dell’ l’I.C.S. Savio-Alfieri di Secondigliano (NA) con l’attivazione di un laboratorio sul corpo, gesto, danza e composizione coreografica. Partner Istituzionali Regione Campania – Assessorato all’Istruzione, Formazione e

BERKLEE TODAY MAGAZINE | SUSAN GEDUTIS LINDSAY

Leonard’s prerecorded processed sounds and live saxophone playing accompanied Riccio’s movement and Scalvino’s live video creating an echoing conversation that explored the work’s themes.

BERKLEE TODAY MAGAZINE | SUSAN GEDUTIS LINDSAY

Leonard’s prerecorded processed sounds and live saxophone playing accompanied Riccio’s movement and Scalvino’s live video creating an echoing conversation that explored the work’s themes.

FOTO | IACOPO DI GIROLAMO | GUERRILLA REMIXED | NAPOLI TEATRO FESTIVAL

What is the sense of contemporary performance in the urban and social fabric of Naples, by its nature and history among the most performing and performative cities in the world? What sense in the performative appropriation of a territory land of everyone and no one?

FOTO | IACOPO DI GIROLAMO | GUERRILLA REMIXED | NAPOLI TEATRO FESTIVAL

What is the sense of contemporary performance in the urban and social fabric of Naples, by its nature and history among the most performing and performative cities in the world? What sense in the performative appropriation of a territory land of everyone and no one?

GUERRILLA REMIXED | URBAN PERFORMANCE

What is the sense of contemporary performance immersed in the urban and social fabric of Naples compared to one of the cities by its nature and history among the most “performing” and “peformative” of the world? What is the sense of getting to Naples land of everyone and no one?

GUERRILLA REMIXED | URBAN PERFORMANCE

What is the sense of contemporary performance immersed in the urban and social fabric of Naples compared to one of the cities by its nature and history among the most “performing” and “peformative” of the world? What is the sense of getting to Naples land of everyone and no one?

NAPOLI TEATRO FESTIVAL ITALIA | ZAC PRIMA ASSOLUTA| GUERRILLA REMIXED | GIUGNO 2008

Napoli, Piazza Dante, 13-14 giugno 2008 h 11.00
Napoli, Piazza Dante, 20-21 giugno 2008 h 11:00
Napoli, Piazza Carità 27>29 giugno 2008 h 11.00
NTFI Napoli Teatro Festival Italia
ZAC Zona di Attacco Creativo
GUERRILLA REMIXED – prima assoluta
urban performance by cie gabriellariccio

NAPOLI TEATRO FESTIVAL ITALIA | ZAC PRIMA ASSOLUTA| GUERRILLA REMIXED | GIUGNO 2008

Napoli, Piazza Dante, 13-14 giugno 2008 h 11.00
Napoli, Piazza Dante, 20-21 giugno 2008 h 11:00
Napoli, Piazza Carità 27>29 giugno 2008 h 11.00
NTFI Napoli Teatro Festival Italia
ZAC Zona di Attacco Creativo
GUERRILLA REMIXED – prima assoluta
urban performance by cie gabriellariccio

VIDEO 45′ | ECHO RESONANCE & MEMORY

Full length video – Running time 45′
Recorded at Spazio Torchio Somma Vesuviana
May 2008
Choreogrpahy Gabriella Riccio
Music Neil Leonard

VIDEO 45′ | ECHO RESONANCE & MEMORY

Full length video – Running time 45′
Recorded at Spazio Torchio Somma Vesuviana
May 2008
Choreogrpahy Gabriella Riccio
Music Neil Leonard

Echo Resonance and Memory by Gabriella Riccio

ECHO RESONANCE AND MEMORY

To investigate the possibilities for choreographic and compositional concepts of echo and resonance though a repeated use of the image multiplied to go further and reach a visionary body/movement. The dancing body remains subject of the earth, yet in its  matter it may glimpse as poetic–body.

Echo Resonance and Memory by Gabriella Riccio

ECHO RESONANCE AND MEMORY

To investigate the possibilities for choreographic and compositional concepts of echo and resonance though a repeated use of the image multiplied to go further and reach a visionary body/movement. The dancing body remains subject of the earth, yet in its  matter it may glimpse as poetic–body.

ROMA | KOLLATINO UNDERGROUND | NOLI ME TANGERE | MAGGIO 2008

giovedì 28 maggio 2008 h 21.00
Kollatino Underground
Roma, via Georges Sorel 10
Festival Deus Ex Machina 0.1
direzione artistica Mauro Petruzziello
NOLI ME TANGERE
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

ROMA | KOLLATINO UNDERGROUND | NOLI ME TANGERE | MAGGIO 2008

giovedì 28 maggio 2008 h 21.00
Kollatino Underground
Roma, via Georges Sorel 10
Festival Deus Ex Machina 0.1
direzione artistica Mauro Petruzziello
NOLI ME TANGERE
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

NAPOLI | NUOVO TEATRO NUOVO | MENSCH – ÜBER SCHÖNHEIT | 27 FEBBRAIO 2007

martedì 27 febbraio 2007 h 21.00
Nuovo Teatro Nuovo
Napoli, via Montecalvario 16
Di Seconda Mano, Sala Assoli
MENSCH – ÜBER SCHÖNHEIT
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

NAPOLI | NUOVO TEATRO NUOVO | MENSCH – ÜBER SCHÖNHEIT | 27 FEBBRAIO 2007

martedì 27 febbraio 2007 h 21.00
Nuovo Teatro Nuovo
Napoli, via Montecalvario 16
Di Seconda Mano, Sala Assoli
MENSCH – ÜBER SCHÖNHEIT
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

VIDEO 30’| MENSCH-ÜBER SCHÖNHEIT [Solo]

Full length video – Running time 30′
Recorded at Nuovo Teatro Nuovo in Naples
February 2007
Choreogrpahy Gabriella Riccio
Music Elio Martusciello

VIDEO 30’| MENSCH-ÜBER SCHÖNHEIT [Solo]

Full length video – Running time 30′
Recorded at Nuovo Teatro Nuovo in Naples
February 2007
Choreogrpahy Gabriella Riccio
Music Elio Martusciello

VIDEO 15′ | K.I.S.S.#1-ABOUT FRAGILITY

Full length video – Running time 15′
Recorded at Nuovo Teatro Nuovo in Naples
November 2006
Choreography Gabriella Riccio
Music Elio Martusciello

VIDEO 15′ | K.I.S.S.#1-ABOUT FRAGILITY

Full length video – Running time 15′
Recorded at Nuovo Teatro Nuovo in Naples
November 2006
Choreography Gabriella Riccio
Music Elio Martusciello

NAPOLI | NUOVO TEATRO NUOVO | K.I.S.S.#1– ABOUT FRAGILITY | 12 NOVEMBRE 2006

domenica 12 novembre 2006 h 21:00
Nuovo Teatro Nuovo
Napoli, Montecalvario 16
Di Seconda Mano, Sala Assoli
K.I.S.S.#1– ABOUT FRAGILITY
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

NAPOLI | NUOVO TEATRO NUOVO | K.I.S.S.#1– ABOUT FRAGILITY | 12 NOVEMBRE 2006

domenica 12 novembre 2006 h 21:00
Nuovo Teatro Nuovo
Napoli, Montecalvario 16
Di Seconda Mano, Sala Assoli
K.I.S.S.#1– ABOUT FRAGILITY
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

NAPOLI | GOETHE INSTITUT | K.I.S.S.#1-ABOUT FRAGILITY | 10 NOVEMBRE 2006

venerdì 10 novembre 2006 h 20:00
Palazzo Serra, Goethe Institut Neapel
Napoli, via Riviera di Chiaia 202
K.I.S.S.#1 – ABOUT FRAGILITY
idea a coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

NAPOLI | GOETHE INSTITUT | K.I.S.S.#1-ABOUT FRAGILITY | 10 NOVEMBRE 2006

venerdì 10 novembre 2006 h 20:00
Palazzo Serra, Goethe Institut Neapel
Napoli, via Riviera di Chiaia 202
K.I.S.S.#1 – ABOUT FRAGILITY
idea a coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

SUPEREVA | ELETTRA CECILIA

In this work it is important that every dancer emerges with his very personal structure, with his human journey, his imagination and his training. In KS uses different styles on a structure of rules and common codes in a set that can be defined as ‘instant composition.

SUPEREVA | ELETTRA CECILIA

In this work it is important that every dancer emerges with his very personal structure, with his human journey, his imagination and his training. In KS uses different styles on a structure of rules and common codes in a set that can be defined as ‘instant composition.

TORINO | GOETHE INSTITUT | KÖRPERSPRACHE | 13 OTTOBRE 2006

venerdì 13 ottobre 2006  h 20:30
Goethe Institut Turin
Torino, piazza San Carlo 206
KÖRPERSPRACHE
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

TORINO | GOETHE INSTITUT | KÖRPERSPRACHE | 13 OTTOBRE 2006

venerdì 13 ottobre 2006  h 20:30
Goethe Institut Turin
Torino, piazza San Carlo 206
KÖRPERSPRACHE
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

ROMA | AUDITORIUM GOETHE INSTITUT | KÖRPERSPRACHE |6 OTTOBRE 2006

martedì 6 ottobre 2006 h 20.30
Auditorium Goethe Institut
Roma, via Savia 15
KÖRPERSPRACHE
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

ROMA | AUDITORIUM GOETHE INSTITUT | KÖRPERSPRACHE |6 OTTOBRE 2006

martedì 6 ottobre 2006 h 20.30
Auditorium Goethe Institut
Roma, via Savia 15
KÖRPERSPRACHE
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

NAPOLI | NUOVO TEATRO NUOVO | KÖRPERSPRACHE | 14 DICEMBRE 2005

lunedì 14 novembre h 21:00
Nuovo Teatro Nuovo
via Montecalvario 16, Napoli
Di Seconda Mano, Sala Assoli
KÖRPERSPRACHE
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

NAPOLI | NUOVO TEATRO NUOVO | KÖRPERSPRACHE | 14 DICEMBRE 2005

lunedì 14 novembre h 21:00
Nuovo Teatro Nuovo
via Montecalvario 16, Napoli
Di Seconda Mano, Sala Assoli
KÖRPERSPRACHE
idea e coreografia Gabriella Riccio
produzione caosmos | cia gabriellariccio

 MENSCH – ÜBER SCHÖNHEIT [Solo]

The solo – part of the triptych Mensch – über Schönheit – is inspired by exhibited beauty, as conceived by Jean Baudrillard in his idea of the contemporary body as machine–body: objectified, plastified, unreachable, untouchable. A public movemen: logical, rational, modular, progressive, symmetrical, material.

 MENSCH – ÜBER SCHÖNHEIT [Solo]

The solo – part of the triptych Mensch – über Schönheit – is inspired by exhibited beauty, as conceived by Jean Baudrillard in his idea of the contemporary body as machine–body: objectified, plastified, unreachable, untouchable. A public movemen: logical, rational, modular, progressive, symmetrical, material.