Category Archives: Press

NAPOLIMONITOR | ANTONIO GRIECO

NMT is a re-creation of the stage event as Carmelo Bene intended it, an operation of dramaturgical rewriting that proceeds by subtraction, by amputation of the usual representative canons of choreographic art. Ooscillating between instinctive vitality of the bodies and Dionysian expression of contemporary electronic music on the dissolution of the fragile boundary between art and life.

NAPOLIMONITOR | ANTONIO GRIECO

NMT is a re-creation of the stage event as Carmelo Bene intended it, an operation of dramaturgical rewriting that proceeds by subtraction, by amputation of the usual representative canons of choreographic art. Ooscillating between instinctive vitality of the bodies and Dionysian expression of contemporary electronic music on the dissolution of the fragile boundary between art and life.

CAMPANIADANZA | SIMONA PERRELLA

The invitation corresponds to not holding back, not touching and blocking the fluidity of being, in a religious, ethical and human thought. Do not hold back becomes almost an invitation to the desire of the opposite, in a continuous relationship and coincidence of opposites.

CAMPANIADANZA | SIMONA PERRELLA

The invitation corresponds to not holding back, not touching and blocking the fluidity of being, in a religious, ethical and human thought. Do not hold back becomes almost an invitation to the desire of the opposite, in a continuous relationship and coincidence of opposites.

CORRIERE DEL MEZZEZZOGIORNO | STEFANO DE STEFANO

In times of stage writing and new dramaturgy of the body, the proposed experiment represents an intriguing signal launched at current theatrical research roads … more linguistic codes merge: from textual and acted reading to contemporary dance, from electronic music to literature .

CORRIERE DEL MEZZEZZOGIORNO | STEFANO DE STEFANO

In times of stage writing and new dramaturgy of the body, the proposed experiment represents an intriguing signal launched at current theatrical research roads … more linguistic codes merge: from textual and acted reading to contemporary dance, from electronic music to literature .

TUTTODANZA | ELISABETTA TESTA

Brave, vulnerable, risk-lover, Gabriella Riccio, Neapolitan, is a river in full … Sometimes the obstacles develop a creative force, the limitation can become a strength … made with a special software, with a series of sensors that allow you to receive the vibrations of moving bodies and translate them into a sound environment, the musical score is generated by the movement of the dancers.

TUTTODANZA | ELISABETTA TESTA

Brave, vulnerable, risk-lover, Gabriella Riccio, Neapolitan, is a river in full … Sometimes the obstacles develop a creative force, the limitation can become a strength … made with a special software, with a series of sensors that allow you to receive the vibrations of moving bodies and translate them into a sound environment, the musical score is generated by the movement of the dancers.

SPAZI PER LA DANZA CONTEMPORANEA | ADA D’ADAMO – ADRIANA POLLICE

Among the new realities of the Neapolitan scene Gabriella Riccio, choreographer, dancer and director with a classical training behind her before appearing on the European scene, studying with masters such as Kirstie Simson, Frey Faust, Julyen Hamiton, Akira Kasai … to move to Berlin in 2004

SPAZI PER LA DANZA CONTEMPORANEA | ADA D’ADAMO – ADRIANA POLLICE

Among the new realities of the Neapolitan scene Gabriella Riccio, choreographer, dancer and director with a classical training behind her before appearing on the European scene, studying with masters such as Kirstie Simson, Frey Faust, Julyen Hamiton, Akira Kasai … to move to Berlin in 2004

Il ROMA | ELISABETTA TESTA

“Noli me tangere” is a hybrid work, where dance is mixed with philosophical texts, made with a special software, with a series of sensors that allow you to receive the vibrations of moving bodies and translate them into a sound environment, the score musical is generated by the movement of the dancers.

Il ROMA | ELISABETTA TESTA

“Noli me tangere” is a hybrid work, where dance is mixed with philosophical texts, made with a special software, with a series of sensors that allow you to receive the vibrations of moving bodies and translate them into a sound environment, the score musical is generated by the movement of the dancers.

EXIBART | NOEMI PITTALUGA

The Noli Me Tangere theater-dance show mixes and superimposes different devices: lighting and speech … here the quotations become explicit references to the works of Francis Bacon and Bill Viola, … so as to stratify the references and expand the reading plans of the object.

EXIBART | NOEMI PITTALUGA

The Noli Me Tangere theater-dance show mixes and superimposes different devices: lighting and speech … here the quotations become explicit references to the works of Francis Bacon and Bill Viola, … so as to stratify the references and expand the reading plans of the object.

DEUS EX MACHINA LAB | NOEMI PITTALUGA

The scenic space in Noli Me Tangere is a liminal place, a bubble in its own right and timeless. The performers in fact, if before were locked up in the words of books, now slowly come to life discovering the surrounding environment … the show citing the installation Body of light by Bill Viola…

DEUS EX MACHINA LAB | NOEMI PITTALUGA

The scenic space in Noli Me Tangere is a liminal place, a bubble in its own right and timeless. The performers in fact, if before were locked up in the words of books, now slowly come to life discovering the surrounding environment … the show citing the installation Body of light by Bill Viola…

IL ROMA | DOMENICO SODANO

It is said that art is the allowing of all thoughts, convictions and forms of existence. A possible idea that we had the opportunity to perceive by crossing the doors of the “Caosmos” … Contemporanea09 aims at a confident dialogue with an audience able to enjoy and fully enjoy the contemporary cultural product.

IL ROMA | DOMENICO SODANO

It is said that art is the allowing of all thoughts, convictions and forms of existence. A possible idea that we had the opportunity to perceive by crossing the doors of the “Caosmos” … Contemporanea09 aims at a confident dialogue with an audience able to enjoy and fully enjoy the contemporary cultural product.

MIBACT | CULTURA ITALIA

Conceived as a series of seminars-meetings to approach the language of contemporary choreography, new dance and performance, conversations about the new author-choreography aim at a wide audience.

MIBACT | CULTURA ITALIA

Conceived as a series of seminars-meetings to approach the language of contemporary choreography, new dance and performance, conversations about the new author-choreography aim at a wide audience.

CAPITOLO PRIMO | ALESSIA COZZOLINO

Noli Me Tangere – feeling the insensitive and being taken by it: an intriguing and brand new performance for innovative languages. Let yourself be touched and lose yourself in an ending of extraordinary tension

CAPITOLO PRIMO | ALESSIA COZZOLINO

Noli Me Tangere – feeling the insensitive and being taken by it: an intriguing and brand new performance for innovative languages. Let yourself be touched and lose yourself in an ending of extraordinary tension

EXIBART | GIUSEPPE SEDIA

A dynamic and confessional reading… balanced between sacred and profane and the elusive tension between two bodies that does not want to be resolved into a grip.

EXIBART | GIUSEPPE SEDIA

A dynamic and confessional reading… balanced between sacred and profane and the elusive tension between two bodies that does not want to be resolved into a grip.

NOLI ME TANGERE | MARIO ESPOSITO

Don’t touch me. And, on the contrary, touch me. Go through me. Noli me tangere is something affirming its contrary but is not a contradiction. It is able to create a sane and deep coincidentia oppositorum thanks to the poetical artifice of the dance, the alembic movement of bodies.

NOLI ME TANGERE | MARIO ESPOSITO

Don’t touch me. And, on the contrary, touch me. Go through me. Noli me tangere is something affirming its contrary but is not a contradiction. It is able to create a sane and deep coincidentia oppositorum thanks to the poetical artifice of the dance, the alembic movement of bodies.

BERKLEE TODAY MAGAZINE | SUSAN GEDUTIS LINDSAY

Leonard’s prerecorded processed sounds and live saxophone playing accompanied Riccio’s movement and Scalvino’s live video creating an echoing conversation that explored the work’s themes.

BERKLEE TODAY MAGAZINE | SUSAN GEDUTIS LINDSAY

Leonard’s prerecorded processed sounds and live saxophone playing accompanied Riccio’s movement and Scalvino’s live video creating an echoing conversation that explored the work’s themes.

SUPEREVA | ELETTRA CECILIA

In this work it is important that every dancer emerges with his very personal structure, with his human journey, his imagination and his training. In KS uses different styles on a structure of rules and common codes in a set that can be defined as ‘instant composition.

SUPEREVA | ELETTRA CECILIA

In this work it is important that every dancer emerges with his very personal structure, with his human journey, his imagination and his training. In KS uses different styles on a structure of rules and common codes in a set that can be defined as ‘instant composition.

CRONACHE DI NAPOLI | ENRICA DE LEO

Synthesis of its avant-garde research on choreographic composition towards the new possibilities of the language of dance and body. Eight minutes of European reaching.

CRONACHE DI NAPOLI | ENRICA DE LEO

Synthesis of its avant-garde research on choreographic composition towards the new possibilities of the language of dance and body. Eight minutes of European reaching.

L’UNITA’ | PIERLUIGI REZZANO

To dance blindfolded and upset the perception of time and space, reach the essence through the movement of free bodies that escape all superstructure by naturally showing their fragility. Manifesto of simplicity and synthesis expressed from the title, “K.I.S.S. (keep it simple and short)

L’UNITA’ | PIERLUIGI REZZANO

To dance blindfolded and upset the perception of time and space, reach the essence through the movement of free bodies that escape all superstructure by naturally showing their fragility. Manifesto of simplicity and synthesis expressed from the title, “K.I.S.S. (keep it simple and short)

ALBATROS | VERONICA MOLESE

Interpreter of an avant-garde choreographic research path based on the improvisation, Koerpersprache is a research work on the possibilities of the choreographic composition through the translation of the word into body language.

ALBATROS | VERONICA MOLESE

Interpreter of an avant-garde choreographic research path based on the improvisation, Koerpersprache is a research work on the possibilities of the choreographic composition through the translation of the word into body language.