Category Archives: Dance Works

VIDEO 30’| MENSCH-ÜBER SCHÖNHEIT [Solo]

Full length video – Running time 30′
Recorded at Nuovo Teatro Nuovo in Naples
Choreogrpahy Gabriella Riccio
Music Elio Martusciello

VIDEO 30’| MENSCH-ÜBER SCHÖNHEIT [Solo]

Full length video – Running time 30′
Recorded at Nuovo Teatro Nuovo in Naples
Choreogrpahy Gabriella Riccio
Music Elio Martusciello

VIDEO 15′ | K.I.S.S.#1-ABOUT FRAGILITY

Full length video – Running time 15′
Recorded at Nuovo Teatro Nuovo in Naples
Choreography Gabriella Riccio
Music Elio Martusciello

VIDEO 15′ | K.I.S.S.#1-ABOUT FRAGILITY

Full length video – Running time 15′
Recorded at Nuovo Teatro Nuovo in Naples
Choreography Gabriella Riccio
Music Elio Martusciello

 MENSCH – ÜBER SCHÖNHEIT [Solo]

The solo – part of the triptych Mensch – über Schönheit – is inspired by exhibited beauty, as conceived by Jean Baudrillard in his idea of the contemporary body as machine–body: objectified, plastified, unreachable, untouchable. A public movemen: logical, rational, modular, progressive, symmetrical, material.

 MENSCH – ÜBER SCHÖNHEIT [Solo]

The solo – part of the triptych Mensch – über Schönheit – is inspired by exhibited beauty, as conceived by Jean Baudrillard in his idea of the contemporary body as machine–body: objectified, plastified, unreachable, untouchable. A public movemen: logical, rational, modular, progressive, symmetrical, material.

MENSCH – ÜBER SCHÖNHEIT [Triptych]

Mensch – Person – is a work on the theme of beauty: a tryptych – three simultaneous performances composed by two solos and a duo – juxtapose. Three places and three modalities all with the common denominators of the feminine and of the human being. The public is invited to move across the performance to discover subjectives resonances to the three modalities.

MENSCH – ÜBER SCHÖNHEIT [Triptych]

Mensch – Person – is a work on the theme of beauty: a tryptych – three simultaneous performances composed by two solos and a duo – juxtapose. Three places and three modalities all with the common denominators of the feminine and of the human being. The public is invited to move across the performance to discover subjectives resonances to the three modalities.

K.I.S.S.#1 – ABOUT FRAGILITY

A constantly changing space and sound environment on the theme of fragility. A non-affirmative dance, without defined boundaries to be permeable to perception and power of the space. Iinterested in vulnerability, the subtle tension arising from insecurity, the poetry of a fragile movement. Six blindfolded non–dancers on stage in a rigorous conceptual performance.

K.I.S.S.#1 – ABOUT FRAGILITY

A constantly changing space and sound environment on the theme of fragility. A non-affirmative dance, without defined boundaries to be permeable to perception and power of the space. Iinterested in vulnerability, the subtle tension arising from insecurity, the poetry of a fragile movement. Six blindfolded non–dancers on stage in a rigorous conceptual performance.

KÖRPERSPRACHE

A performance pn power games for a participatory audience. Challenge, courage, risk, fragility, power and loss of power, obedience and disobedience, the individual and the group, freedom, responsibility, action and reaction. A research on the possibilities of choreographic composition through the translation of language into movement.

KÖRPERSPRACHE

A performance pn power games for a participatory audience. Challenge, courage, risk, fragility, power and loss of power, obedience and disobedience, the individual and the group, freedom, responsibility, action and reaction. A research on the possibilities of choreographic composition through the translation of language into movement.

WATCH|TOUCH

Watch | Touch is a series of solo performance for a solo spectator: a research on perceptions, on touch and sight, but also a work about risk, courage, vulnerability, challenge, intimacy, authenticity. A box of aluminum 4x4x2 with only two entrances: one to watch, the other to touch questions the dimensions of dance.

WATCH|TOUCH

Watch | Touch is a series of solo performance for a solo spectator: a research on perceptions, on touch and sight, but also a work about risk, courage, vulnerability, challenge, intimacy, authenticity. A box of aluminum 4x4x2 with only two entrances: one to watch, the other to touch questions the dimensions of dance.