PERFORMATIVE AND PREFIGURATIVE PRACTICES | RESEARCH PANEL | MAROSI FESTIVAL
On Sunday Feb 10th I talk about “Performative and prefigurative practices” as discussant in the panel “Art as Research – Practices and Theories around the creative process” for Marosi Festival in Naples at L’Asilo
PERFORMATIVE AND PREFIGURATIVE PRACTICES | RESEARCH PANEL | MAROSI FESTIVAL
On Sunday Feb 10th I talk about “Performative and prefigurative practices” as discussant in the panel “Art as Research – Practices and Theories around the creative process” for Marosi Festival in Naples at L’Asilo
SULLA DANZA | NE DISCUTONO GABRIELLA RICCIO E MAURIZIO ZANARDI
Gabriella Riccio e Maurizio Zanardi discutono in occasione della presentazione dell’edizione Cronopio SULLA DANZA a cura di Maurizio Zanardi con saggi di Nancy, Gasparotti, Sala Grau, Zanardi, Ermini. Lunedì 19 novembre Libreria Iocisto ore 18:30 via Cimarosa 20 Napoli
SULLA DANZA | NE DISCUTONO GABRIELLA RICCIO E MAURIZIO ZANARDI
Gabriella Riccio e Maurizio Zanardi discutono in occasione della presentazione dell’edizione Cronopio SULLA DANZA a cura di Maurizio Zanardi con saggi di Nancy, Gasparotti, Sala Grau, Zanardi, Ermini. Lunedì 19 novembre Libreria Iocisto ore 18:30 via Cimarosa 20 Napoli
PER UN APPROCCIO SITEMICO AL PATRIMONIO CULTURALE | EB
In In A.A.V.V. Visioni al Futuro – Contributi all’Anno Europeo del Patrimonio Culturale 2018, Editrice Bibliografica 2018, my essay “Per un approccio sistemico al patrimonio culturale: usi civici e beni comuni. Il caso dell’Ex Asilo Filangieri di Napoli” in collaborazione with M.F. De Tullio.
PER UN APPROCCIO SITEMICO AL PATRIMONIO CULTURALE | EB
In In A.A.V.V. Visioni al Futuro – Contributi all’Anno Europeo del Patrimonio Culturale 2018, Editrice Bibliografica 2018, my essay “Per un approccio sistemico al patrimonio culturale: usi civici e beni comuni. Il caso dell’Ex Asilo Filangieri di Napoli” in collaborazione with M.F. De Tullio.
CULTUREVEILLE | ARTISTES ACTIVISTES ET COOPERATION | 86TEH CAMP MEETING
Culturveille interviews Gabriella Riccio on art activism and international cultural cooperation during 86th TEH Meeting in Bagneux at Le Plus Petit Cirque du Monde
CULTUREVEILLE | ARTISTES ACTIVISTES ET COOPERATION | 86TEH CAMP MEETING
Culturveille interviews Gabriella Riccio on art activism and international cultural cooperation during 86th TEH Meeting in Bagneux at Le Plus Petit Cirque du Monde
51 CONGRESS ON DANCE RESEARCH | UNESCO | ATHENS
On July 5th at 11:20 at the Ionic Center Aerides, Athens I will present my essay “The Body and the Scene” in the framework of the 51st World Congress on Dance Research UNESCO CID
51 CONGRESS ON DANCE RESEARCH | UNESCO | ATHENS
On July 5th at 11:20 at the Ionic Center Aerides, Athens I will present my essay “The Body and the Scene” in the framework of the 51st World Congress on Dance Research UNESCO CID
LO STATO DEI LUOGHI | TERNI PRECI
Lo Stato dei Luoghi è un incontro di due giorni articolato tra Terni e Preci per condividere pratiche e pensieri intorno al ruolo della cultura nei processi di rigenerazione.
LO STATO DEI LUOGHI | TERNI PRECI
Lo Stato dei Luoghi è un incontro di due giorni articolato tra Terni e Preci per condividere pratiche e pensieri intorno al ruolo della cultura nei processi di rigenerazione.
A PARADIGM CHANGE | BILBAO | 85TEH
“A paradigm change” Gabriella Riccio’s keynote speech at 85th Trans Europe Halles Conference in Bilbao at ZWAP.
A PARADIGM CHANGE | BILBAO | 85TEH
“A paradigm change” Gabriella Riccio’s keynote speech at 85th Trans Europe Halles Conference in Bilbao at ZWAP.
THE BODY AND THE SCENE | ANGLISTICA AION
THE BODY AND THE SCENE by Gabriella Riccio is on-line in “Stage and Beyond. Space and Place in Contemporary Theatre” on Anglistica Aion Vol 20 nr 2 editors Carmen Gallo and Clément Lévy
THE BODY AND THE SCENE | ANGLISTICA AION
THE BODY AND THE SCENE by Gabriella Riccio is on-line in “Stage and Beyond. Space and Place in Contemporary Theatre” on Anglistica Aion Vol 20 nr 2 editors Carmen Gallo and Clément Lévy
LA PRATICA DELL’USO CIVICO COME SCELTA ESTETICA ETICA E POLITICA PER IL SENSIBILE COMUNE | LA SCUOLA DI PITAGORA ed.
LA PRATICA DELL’USO CIVICO COME SCELTA ETICA ESTETICA E POLITICA PER IL SENSIBILE COMUNE published in Stefano Rodotà, I Beni Comuni. L’inaspettata rinascita degli usi collettivi by La Scuola di Pitagora editrice
LA PRATICA DELL’USO CIVICO COME SCELTA ESTETICA ETICA E POLITICA PER IL SENSIBILE COMUNE | LA SCUOLA DI PITAGORA ed.
LA PRATICA DELL’USO CIVICO COME SCELTA ETICA ESTETICA E POLITICA PER IL SENSIBILE COMUNE published in Stefano Rodotà, I Beni Comuni. L’inaspettata rinascita degli usi collettivi by La Scuola di Pitagora editrice
IL CORPO E LA SCENA | KAIAK A PHILOSOPHICAL JOURNEY
IL CORPO E LA SCENA. TERRITORI DELL’ESPERIENZA ESTETICO CONOSCITIVA NELLA PRATICA ARTISTICA DELLA DANZA by Gabriella Riccio is on-line on Rivista Kaiak A Philosophical Journey No. 4 Sublimation – Derive editors Vincenzo Cuomo and Eleonora De Conciliis result of the Congress ‘Sublimazione’
IL CORPO E LA SCENA | KAIAK A PHILOSOPHICAL JOURNEY
IL CORPO E LA SCENA. TERRITORI DELL’ESPERIENZA ESTETICO CONOSCITIVA NELLA PRATICA ARTISTICA DELLA DANZA by Gabriella Riccio is on-line on Rivista Kaiak A Philosophical Journey No. 4 Sublimation – Derive editors Vincenzo Cuomo and Eleonora De Conciliis result of the Congress ‘Sublimazione’
PERCHE’ LA DANZA? | INCONTRI A CURA DI GABRIELLA RICCIO E MAURIZIO ZANARDI | L’ASILO | DA OTTOBRE 2017
Meetings on dance and philosophy – “Why dance? Why ‘occupy’ the spaces of L’Asilo with insistence and continuity to think with the greatest possible rigor the relevance and necessity of dancing? Why such urgency and privilege assigned to dance? Why would dance be a question in question?”
PERCHE’ LA DANZA? | INCONTRI A CURA DI GABRIELLA RICCIO E MAURIZIO ZANARDI | L’ASILO | DA OTTOBRE 2017
Meetings on dance and philosophy – “Why dance? Why ‘occupy’ the spaces of L’Asilo with insistence and continuity to think with the greatest possible rigor the relevance and necessity of dancing? Why such urgency and privilege assigned to dance? Why would dance be a question in question?”
MANTOVA | ARTLAB2017 | SOSTENIBILITA’ E GOVERNANCE
On 28 and 29 September in Mantua for Artlab2017 Territories Culture Innovation to discuss cultural policies in view of the European Year of Cultural Heritage 2018. Gabriella Riccio is discussant at the table Sustainability and Governance on Beni Comuni and Civic Uses. INFO Artlab2017 Mantova artlab.fitzcarraldo.it
MANTOVA | ARTLAB2017 | SOSTENIBILITA’ E GOVERNANCE
On 28 and 29 September in Mantua for Artlab2017 Territories Culture Innovation to discuss cultural policies in view of the European Year of Cultural Heritage 2018. Gabriella Riccio is discussant at the table Sustainability and Governance on Beni Comuni and Civic Uses. INFO Artlab2017 Mantova artlab.fitzcarraldo.it
MEZZI SENZA FINE | CULTURABILITY | L’ASILO
Project ‘Mezzi senza fine’ by L’asilo wins the national call Culturability by Fondazione Unipolis to refuctionalize into a space for contemporary performance the 16th century monumental Refettorio Hall of the Ex Asilo Filangieri Unesco World Heritage Site, since 2015 recognized by the City of Naples as ’emerging common’.
MEZZI SENZA FINE | CULTURABILITY | L’ASILO
Project ‘Mezzi senza fine’ by L’asilo wins the national call Culturability by Fondazione Unipolis to refuctionalize into a space for contemporary performance the 16th century monumental Refettorio Hall of the Ex Asilo Filangieri Unesco World Heritage Site, since 2015 recognized by the City of Naples as ’emerging common’.
ANTWERPEN | MAKING PUBLIC DOMAIN | MIDDELHEIM MUSEUM
In the context of Making Public Domain Gabriella Riccio intervenes on “Commoning the City – between Creativity and Criminality” at Het Boos and conduct a workshop on the experience of self-organized cultural spaces in Italy at the Middelheim Museum Antwerpen.
ANTWERPEN | MAKING PUBLIC DOMAIN | MIDDELHEIM MUSEUM
In the context of Making Public Domain Gabriella Riccio intervenes on “Commoning the City – between Creativity and Criminality” at Het Boos and conduct a workshop on the experience of self-organized cultural spaces in Italy at the Middelheim Museum Antwerpen.
NAPOLI | STEFANO RODOTA’ BENI COMUNI | ISTITUTO ITALIANO STUDI FILOSOFICI
Gabriella Riccio talk ‘The practice of civic use as an ethical aesthetic and political choice for the common sensible’ at the Round Table on ‘Beni Comuni. The unexpected rebirth of collective uses’ Lectio Magistralis by Stefano Rodotà
NAPOLI | STEFANO RODOTA’ BENI COMUNI | ISTITUTO ITALIANO STUDI FILOSOFICI
Gabriella Riccio talk ‘The practice of civic use as an ethical aesthetic and political choice for the common sensible’ at the Round Table on ‘Beni Comuni. The unexpected rebirth of collective uses’ Lectio Magistralis by Stefano Rodotà
NAPOLI | LA SUBLIMAZIONE | CONVEGNO | PAN PALAZZO DELLE ARTI
Tuesday, March 16 Gabriella Riccio intervenes on “The body and the scene” at the International Conference on “Sublimation. A critical analysis of the last frontier of the symbolic” organized by Rivista Kaiak A Philosophical Journey curated by Vincenzo Cuomo and Eleonora de Conciliis.
NAPOLI | LA SUBLIMAZIONE | CONVEGNO | PAN PALAZZO DELLE ARTI
Tuesday, March 16 Gabriella Riccio intervenes on “The body and the scene” at the International Conference on “Sublimation. A critical analysis of the last frontier of the symbolic” organized by Rivista Kaiak A Philosophical Journey curated by Vincenzo Cuomo and Eleonora de Conciliis.
ROMA | COMUNISMO DEL SENSIBILE C17 | GALLERIA NAZIONALE ARTE MODERNA
In the framework of C17 Rome Confere on Communism, Comunismo del Sensibile Gabriella Riccio is discussant at workshop on ‘Arte del Comune’ at GNAM Galleria Nazionale Arte Moderna
ROMA | COMUNISMO DEL SENSIBILE C17 | GALLERIA NAZIONALE ARTE MODERNA
In the framework of C17 Rome Confere on Communism, Comunismo del Sensibile Gabriella Riccio is discussant at workshop on ‘Arte del Comune’ at GNAM Galleria Nazionale Arte Moderna
GENOVA | COMMUNITY AND ACTIVE PARTICIPATION | FORGET HERITAGE EU
Per Heritage in the City, nell’ambito del progetto Europeo Interreg Forget Heritage, Gabriella Riccio interviene al workshop Community and active participation. Mercoledì 16 novembre 2016 ore 14:30. Heritage_in_the_City
GENOVA | COMMUNITY AND ACTIVE PARTICIPATION | FORGET HERITAGE EU
Per Heritage in the City, nell’ambito del progetto Europeo Interreg Forget Heritage, Gabriella Riccio interviene al workshop Community and active participation. Mercoledì 16 novembre 2016 ore 14:30. Heritage_in_the_City
VERONA | CROSSROADS OF COLLABORATION | TEH | INTERZONA
Can civil society, the business community and public authorities work together on sustainable city development despite their differences? What can open up for such a collaboration and what is necessary to sustain it?
VERONA | CROSSROADS OF COLLABORATION | TEH | INTERZONA
Can civil society, the business community and public authorities work together on sustainable city development despite their differences? What can open up for such a collaboration and what is necessary to sustain it?
FOTO DI SCENA | ALESSANDRA FINELLI | LA FOLLIA | PREMIERE TEATRO BELLINI
Stage photos by Alessandra Finelli of La Follia with Gabriella Riccio (body) and Achille Succi (bass clarinet and sax) during absolute première on April 6th at Teatro Piccolo Bellini of Naples theater season 2016
FOTO DI SCENA | ALESSANDRA FINELLI | LA FOLLIA | PREMIERE TEATRO BELLINI
Stage photos by Alessandra Finelli of La Follia with Gabriella Riccio (body) and Achille Succi (bass clarinet and sax) during absolute première on April 6th at Teatro Piccolo Bellini of Naples theater season 2016
LA FOLLIA
There is no madness except as the supreme instant of the work, and the latter rejects it indefinitely to its borders: where there is work there is no madness …The instant when the work and madness are born together is the time when the world finds itself cited in judgment by this work and responsible for what is before it
LA FOLLIA
There is no madness except as the supreme instant of the work, and the latter rejects it indefinitely to its borders: where there is work there is no madness …The instant when the work and madness are born together is the time when the world finds itself cited in judgment by this work and responsible for what is before it
NAPOLI | TEATRO BELLINI | LA FOLLIA | PRIMA ASSOLUTA | 6 APRILE 2016
giovedì 6 aprile 2016 h 21:15
Teatro Piccolo Bellini
Napoli, via Conte di Ruvo 14
LA FOLLIA – prima assoluta
corpo Gabriella Riccio,
clarinetto basso sax alto Achille Succi
produzione caosmos | cie gabriellariccio
residenza coreografica L’Asilo
NAPOLI | TEATRO BELLINI | LA FOLLIA | PRIMA ASSOLUTA | 6 APRILE 2016
giovedì 6 aprile 2016 h 21:15
Teatro Piccolo Bellini
Napoli, via Conte di Ruvo 14
LA FOLLIA – prima assoluta
corpo Gabriella Riccio,
clarinetto basso sax alto Achille Succi
produzione caosmos | cie gabriellariccio
residenza coreografica L’Asilo
VIDEO 5′ | NOLI ME TANGERE re-enacted
Promo video 5′ | Full running time 50′
Choreographic Residency at L’asilo
Open Rehearsal
January 2016
Choreography Gabriella Riccio
VIDEO 5′ | NOLI ME TANGERE re-enacted
Promo video 5′ | Full running time 50′
Choreographic Residency at L’asilo
Open Rehearsal
January 2016
Choreography Gabriella Riccio
NAPOLI | L’ASILO | NOLI ME TANGERE | PROVE APERTE | 30–31 GENNAIO 2016
sabato 30 gennaio 2016 h 21:00
domenica 31gennaio 2016 h 19:00
L’Asilo – Ex Asilo Filangieri
Napoli, vico Giuseppe Maffei 4
NOLI ME TANGERE – prove aperte
idea e coreografia Gabriella Riccio
produzione caosmos |cia gabriellariccio
NAPOLI | L’ASILO | NOLI ME TANGERE | PROVE APERTE | 30–31 GENNAIO 2016
sabato 30 gennaio 2016 h 21:00
domenica 31gennaio 2016 h 19:00
L’Asilo – Ex Asilo Filangieri
Napoli, vico Giuseppe Maffei 4
NOLI ME TANGERE – prove aperte
idea e coreografia Gabriella Riccio
produzione caosmos |cia gabriellariccio
FOTO DI SCENA | CLAUDIA NUZZO | MAGNIFICAT PRIMO STUDIO PER UN MONDO MIGLIORE | ASILO
Stage photos by Claudia Nuzzo of Magnificat – primo studio per un mondo migliore at l’Asilo Ex Asilo Filangieri in the framework of the there–days ongoing performances “Il Grande Vento 2015”.
FOTO DI SCENA | CLAUDIA NUZZO | MAGNIFICAT PRIMO STUDIO PER UN MONDO MIGLIORE | ASILO
Stage photos by Claudia Nuzzo of Magnificat – primo studio per un mondo migliore at l’Asilo Ex Asilo Filangieri in the framework of the there–days ongoing performances “Il Grande Vento 2015”.
MAGNIFICAT – PRIMO STUDIO PER UN MONDO MIGLIORE
Perhaps what artists can do today is to be foolish, foolish with crazy hope, foolish with love. Magnificat is the first word that Mary pronounces meeting Elisabeth. Magnificat embodies her trust and mad hope. It is Parsifal hero of compassion. It is humanity walking forward.
MAGNIFICAT – PRIMO STUDIO PER UN MONDO MIGLIORE
Perhaps what artists can do today is to be foolish, foolish with crazy hope, foolish with love. Magnificat is the first word that Mary pronounces meeting Elisabeth. Magnificat embodies her trust and mad hope. It is Parsifal hero of compassion. It is humanity walking forward.
NAPOLI | L’ASILO GRANDE VENTO | MAGNIFICAT – PRIMO STUDIO PER UN MONDO MIGLIORE | 29 DICEMBRE 2015
Giovedì 29 dicembre 2015 h 22:15
L’Asilo – Ex Asilo Filangieri
Napoli, vico Giuseppe Maffei 4
Il Grande Vento 2015
MAGNIFICAT – primo studio per un mondo migliore – idea e coreografia Gabriella Riccio
produzione caosmos |cia gabriellariccio
NAPOLI | L’ASILO GRANDE VENTO | MAGNIFICAT – PRIMO STUDIO PER UN MONDO MIGLIORE | 29 DICEMBRE 2015
Giovedì 29 dicembre 2015 h 22:15
L’Asilo – Ex Asilo Filangieri
Napoli, vico Giuseppe Maffei 4
Il Grande Vento 2015
MAGNIFICAT – primo studio per un mondo migliore – idea e coreografia Gabriella Riccio
produzione caosmos |cia gabriellariccio
NAPOLIMONITOR | ANTONIO GRIECO
NMT is a re-creation of the stage event as Carmelo Bene intended it, an operation of dramaturgical rewriting that proceeds by subtraction, by amputation of the usual representative canons of choreographic art. Ooscillating between instinctive vitality of the bodies and Dionysian expression of contemporary electronic music on the dissolution of the fragile boundary between art and life.
NAPOLIMONITOR | ANTONIO GRIECO
NMT is a re-creation of the stage event as Carmelo Bene intended it, an operation of dramaturgical rewriting that proceeds by subtraction, by amputation of the usual representative canons of choreographic art. Ooscillating between instinctive vitality of the bodies and Dionysian expression of contemporary electronic music on the dissolution of the fragile boundary between art and life.
CAMPANIADANZA | SIMONA PERRELLA
The invitation corresponds to not holding back, not touching and blocking the fluidity of being, in a religious, ethical and human thought. Do not hold back becomes almost an invitation to the desire of the opposite, in a continuous relationship and coincidence of opposites.
CAMPANIADANZA | SIMONA PERRELLA
The invitation corresponds to not holding back, not touching and blocking the fluidity of being, in a religious, ethical and human thought. Do not hold back becomes almost an invitation to the desire of the opposite, in a continuous relationship and coincidence of opposites.
FOTO DI SCENA | ALESSANDRA FINELLI | NOLI ME TANGERE | ANTEPRIMA | ASILO
NOLI ME TANGERE Stage photos by Alessandra Finelli at L’Asilo during the opening preview of choreographic residency in the framework of the Focus on Dance Sovrapposizioni // Overlap_la danza trova asilo
FOTO DI SCENA | ALESSANDRA FINELLI | NOLI ME TANGERE | ANTEPRIMA | ASILO
NOLI ME TANGERE Stage photos by Alessandra Finelli at L’Asilo during the opening preview of choreographic residency in the framework of the Focus on Dance Sovrapposizioni // Overlap_la danza trova asilo
NOLI ME TANGERE
evocative and powerful, a sophisticated minimal performance for incarnate sound and sounding bodies. A physical score generated through the use of a sensitive sound environment applied to the peroformance. Messages from philosophy, poetry, literature intersect around body, intimacy, touch, in a tension between eros and thanathos, human and divine.
NOLI ME TANGERE
evocative and powerful, a sophisticated minimal performance for incarnate sound and sounding bodies. A physical score generated through the use of a sensitive sound environment applied to the peroformance. Messages from philosophy, poetry, literature intersect around body, intimacy, touch, in a tension between eros and thanathos, human and divine.
WORKSHOP | ESPERIMENTI DI SOPRAVVIENZA NELLO SPAZIO | L’ASILO
Corpo Tempo Spazio elementi fondanti della composizione istantanea. Laboratorio residenziale di ricerca e creazione tra pratica e pensiero. Orientato alla pratica della scena prevede nel suo svolgersi momenti performativi
WORKSHOP | ESPERIMENTI DI SOPRAVVIENZA NELLO SPAZIO | L’ASILO
Corpo Tempo Spazio elementi fondanti della composizione istantanea. Laboratorio residenziale di ricerca e creazione tra pratica e pensiero. Orientato alla pratica della scena prevede nel suo svolgersi momenti performativi
